Design, pattern, and shape all proved to be significant features employed by graphic illustrators in the late 1800's. Yet the most influential man on the genre died at the young age of 26 years old. His influence shaped the very way graphic designers considered a page before putting pencil to it. Throughout the 20th century, artists have attempted to copy his personal interpretation of art nouveau style which he developed during his short life.
Oscar Wilde was considered one of the most controversial, important literary figures of his time, who believed art was unto itself, who championed the idea of having a myriad of artistic styles, and didn't think art should ever be judged based on ethical or moral concerns. This was the certain artist chosen by Wilde to create the illustrations for a literary piece that was simultaneously avant garde and disturbing. Wilde chose foreboding titillation juxtaposed with graceful, sweeping lines to bring more even controversy to his piece. He added patterns and ingenious contortion.
This work was further distinguished by interconnection between white and black. This artist often used elegant patterns on a light surface, surrounded by heavy borders and negative space. His page is typically asymmetrical; movements are developed with big, not broken sinuous curves. His characters in the illustrations remain simple outlines, and yet the items that they contain, such as their clothing or hair, are usually complicated. The power of his art was created by the interweaving of simple elegance and complicated precision.
Many artists in the 1800s were influenced by items which were being imported from Asia, in addition to a focus on Renaissance decor and medieval artworks. Appearing in many famous publications, the young illustrator's artwork and illustrations were a strong influence in both the United States and Europe. Currently, a great deal of this art is available as reproduction prints and posters.
Poster art slowly grew from what was a commercial advertising medium into its very own art form at the end of the 19th century. During this time period, books were solely in black and white. However, posters had begun to be produced in color as well. The poster design leader concentrated on a single, big, brightly colored, image that caught the viewers' eyes. What text appeared on posters was as succinct as possible. The words were printed to discuss whatever occasion or product the poster was designed for. He knew that the audience's attention was more easily attracted to simplicity so he used vivid colors and flat, basic shapes. Yet, the lines he used to construct his images were hesitant. They were a bit broken like those of an Impressionist painting. Because of this, his work is though to be the forerunner of the exemplary art nouveau design poster.
The very creator of the proper art nouveau poster used more fluid contours and stronger outlines in his distinctive illustrations. You will recognize his work by the lithe young maidens dressed in flowing clothing, whose long hair surrounds them with fanciful forms. There was also a successful and famous art nouveau whose elegant posters featured rather narrow strips as well as a full length female figure. The intricate patterns were inspired by many diverse cultures such as Celtic motifs, Japanese wood cuts, Hebrew lettering, Arab and Moorish decorations, Byzantine mosaics and simple fold art.
Due to the numerous books and reprint of their work, you can easily enjoy the graphic design talents of these many artists from the turn of the century. You will also find there are dealers who will specialize in the sale of 19th, and early 20th century poster art. Large international antique shows often feature these dealers. If you find an original piece in excellent condition, you can expect to pay hundreds, possibly thousands, for the honor of owning it.
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